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	<title>twosday</title>
	<link>http://www.twosday.net/blog</link>
	<description></description>
	<pubDate>Sun, 18 Jul 2010 00:35:41 +0000</pubDate>
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		<title>passages, part i</title>
		<link>http://www.twosday.net/blog/?p=121</link>
		<comments>http://www.twosday.net/blog/?p=121#comments</comments>
		<pubDate>Sun, 04 Jul 2010 09:34:27 +0000</pubDate>
		<dc:creator>marites</dc:creator>
		
		<category><![CDATA[music]]></category>

		<category><![CDATA[travel]]></category>

		<category><![CDATA[lingual]]></category>

		<category><![CDATA[passages]]></category>

		<category><![CDATA[philippines]]></category>

		<guid isPermaLink="false">http://www.twosday.net/blog/?p=121</guid>
		<description><![CDATA[
sala
sunday mornings in my dasmarinas life go something like this: i use my weekend rights to wake at 8 but get out of bed at 845a; visit the CR; stroll through the sala to the front porch where C and i have breakfast with Tita E. our breakfasts combine all the comfort foods my mom [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://farm5.static.flickr.com/4078/4759403357_4f19131d45.jpg" alt="sala" /><br />
<em>sala</em></p>
<p>sunday mornings in my dasmarinas life go something like this: i use my weekend rights to wake at 8 but get out of bed at 845a; visit the CR; stroll through the sala to the front porch where C and i have breakfast with Tita E. our breakfasts combine all the comfort foods my mom served only rarely and in separate sittings. this morning, for example, i gorged on garlic fried rice, lechon kawali, hot pan de sal and cheese wiz, and suman. as we eat, trikes rush by on our relatively busy street, leaving behind trails of exhaust and the gurgles of motors. Tita’s meal is usually interrupted a couple times by folks who swing by her corner store for something (a bag of cold water, a packet of crackers, a cigarette).</p>
<p>all the while, Tita blasts 102.7 Kiss FM, an aural privilege reserved especially for sundays. the station uses the same tag as the station in LA circa 1997, but instead of Rick Dees we have a less abrasive, Filipino-speaking DJ. and instead of pop hits from the 90s, the station plays ballads from the 1950s and 1960s. </p>
<p>lazy sunday morning saturation: the air is heavy with heat, moisture, exhaust, paul anka, weepy strings and dramatic musical climaxes; my stomach is weighted by lechon and grains. more ballads – elvis this time? – accompany the trek back through the darkened sala, back to my room.</p>
<p>&#8211;</p>
<p>one of my classmates here is puerto rican, and we often trade stories on motherlands, inflected by the lens of our experience now. she marvelled once at the lingual-colonial similarity, something like: “english is like a layer of garbage here, just like in puerto rico. it exists, but it’s in lower, vulgarized forms, left behind by US colonization.”</p>
<p>what i visualized when she said this were Coca-Cola images on handmade signs for corner stores that are more numerous than a 1:corner ratio, Rabsico wrappers that litter streets and waterways, and characters in teleseryas whose Tagalog is interrupted by English phrases used to heighten the drama.</p>
<p>&#8211;</p>
<p>my mind is still reeling from conversations with P, R, and A yesterday, part of the herculean and hubristic project i’ve taken on of sketching out communities of writers in cavite, the province where i’m staying this first month. (so far P, R, and A have offered me beautiful things: cavitenos and their writers are <em>matapang</em>, they are travelers and migrants, they are in a complex and dynamic relationship to metro maynila, which sits northeast of cavite and encroaches on the province through its cultural hegemony and exurban sprawl).</p>
<p>P, former editor of the literary folio at DLSU-D, shared stories of the enemies he’s made around campus because of his provocative columns. at one point he spoke with humor and scorn about one of his targets, a student group that exists specifically to further the practice of speaking English among its members. </p>
<p>he said, in tagalog, that the members of this group were of course the more wealthy students on campus. i laughed when he mimicked their english, the kind spoken by valley girls and teenagers in the US, at least in P’s demonstration: “like, you know.” (and in the back of my mind i thought, oh god this is how i talk). after his first stories about the difficulties of convincing the school of the importance of student publications, especially at a school whose funds are funneled to the business school (perhaps the same students of the english group), and after a few hours of hearing stories and thoughtful takes on cavite literature in tagalog (our chats could only be in tagalog, even my broken tagalog), i felt myself laughing with the same scorn and shaking my head with the same disdain. </p>
<p>&#8211;</p>
<p><img src="http://farm5.static.flickr.com/4140/4759408587_ccfc2ee3b0.jpg" alt="low rider" /><br />
<em>low rider</em></p>
<p>for short distances within town we’ll sometimes take trikes, these motorbikes with covered sidecars. as a passenger in one of these, you sit low to the ground with the driver a few inches away to your left. there is no door to your right, so the street opens up to you with alternatingly terrifying and exciting immediacy. passengers in other trikes and sidewalk wares can be at an arm’s length away, and so can jeepneys and gargantuan buses (i can almost touch the tops of their wheels from my seat). i quickly learned to put my trust in the trike drivers even when they insist on inching into brisk traffic, because they maneuver so adeptly between buses and pedestrians, and because i just need to in order to get from one place to another, sanity in tact. </p>
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